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Parma a tavola
storia parmense
Parma (170.000 abitanti), città già importante nell'età medievale e nella storia dell'arte romanica, è stata capitale, per oltre 300 anni, dal 1550 al 1859, di un piccolo ducato, diventato nei secoli un punto di riferimento, in Italia e in Europa, come raffinato centro di arte, di economia e di cultura. Il Duomo e il Battistero si collocano tra i più importanti monumenti del XII e del XIII secolo e insieme formano la piazza romanica più bella d'Italia; il Teatro Farnese era nel '600 il più grande teatro coperto d'Europa; il neoclassico Teatro Regio si colloca tra i teatri lirici di maggior tradizione nel mondo; le chiese di San Giovanni con gli annessi chioschi e della Steccata con la monumentale sagrestia, i castelli di Torrechiara e Montechiarugolo, di Fontanellato e Soragna, di Bardi e San Secondo, i palazzi ducali di Parma, di Colorno e di Sala Baganza, la Galleria Nazionale ed i musei storici, l'Antica Farmacia e le Camere di San Paolo; la Biblioteca Palatina e il Museo Bodoniano fino alla Fondazione Magnani Rocca ed al Museo del Profumo sono bellissimi segni del "Rinascimento" parmense. Il Parmigiano ed il Prosciutto di Parma sono i prodotti tipici più famosi nel mondo e, insieme al Culatello di Zibello, al Salame di Felino, ai Funghi della Valtaro, ai Vini dei Colli di Parma, al Tartufo Nero di Fragno, garantiscono una cucina di qualità e tradizione.
important schools of different periods. In fact, those who wish to seek the most abundant examples of works by Benedetto Antelami, the greatest sculptor-architect of the Middle Ages, or the most important centre of Correggio's charming work, or even some particularly significant examples of Parmigianino's imaginative painting, know that only Parma can offer such documentary evidence. Also linked to Parma is the name of the Saluzzo artist Giambattista Bodoni, "Prince of Typographers". And finally, Parma's role in Italian musical history is significant, not only because it is the birthplace of the genious Verdi, of Ferdinando Paer, Ildebrando Pizzetti and Toscanini, but also because of its illustrious Conservatoire, the famous Regio Theatre, and above all because of the importance of music in its inhabitants' popular and cultural traditions.
A city of aritocratic cultural tradition, rich in precious works of art and memories of its past as a capital city, celebrated for its greatest sons and the artists who worked there - from Antelami to Salimbene, from Correggio to Parmigianino, from Boldoni to Giuseppe Verdi and Arturo Toscanini - the poets, writers and directors inspired by it, especially Stendhal, who recreated the city in his story about the "Chartreuse", Parma is unique amongst Italian cities of art of average size. It is a city of exquisite, unmistakeable characteristics which stands out amongst the rest because of its evident involvement with every major artistic period and cultural institution, such as the Farnese and Boubon Dynasties (in the 18th Century it was defined "Italy's Athens") and the illustrious rule of Maria Luigia of Austria, which rendered the city famous all throughout Europe. Parma is renowned for its refined social life, the fervour of its many cultural interests, and the dynamic entrepreneurial spirit which is embodied in its industries and trade fair zones, as well as the natural warmth of its inhabitants and the great culinary tradition which stems from the local production of wonderful food-stuffs. Founded as a Roman colony along the Via Emilia in 183 B.C. by the Consul Emilio Lepido, Parma had the title Julia and Augusta added to it during the Imperial époque. In the Middle Ages, it was already a flourishing town and, after having seen the rule of the Visconti, the Sforza, the French and the Papacy from the 14th to the 16th Centuries, in 1545 a Duchy was established by Pope Paul III, who installed his son Pier Luigi Farnese as its ruler. It was a dynasty which was to rule for almost two centuries, unforgettable for its splendour and greatness. During the first half of the 18th Century, the Duchy was inherited by the Bourbons, who brought a decidedly French favour to the Court and to the city life in general; the years between 1802 and 1814 saw the Napoleonic rule, but following Bonaparte's fall, the Vienna Congress assigned the Duchy of Parma to his wife, Maria Luigia of Austria, daughter of Emperor Francis I. With Maria Luigia's death, in 1847, the Duchy returned to the Bourbons. When in 1854 Duke Charles III was assassinated, his wife Luisa Maria of Berry assumed the regency on behalf of her young son Roberto, until in 1859 a popular uprising obliged her to leave the Duchy although in a dignified manner. On march 18th, 1860, with a solemn plebiscite, Parma was joined to the kingdom of Italy. City of art famous for its artistic and cultural itineraries, it also attracts visitors, interest because of the extensive record it offers about important schools of different periods. In fact, those who wish to seek the most abundant examples of works by Benedetto Antelami, the greatest sculptor-architect of
the Middle Ages, or the most important centre of Correggio's charming work, or even some particularly significant examples of Parmigianino's imaginative painting, know that only Parma can offer such documentary evidence. Also linked to Parma is the name of the Saluzzo artist Giambattista Bodoni, "Prince of Typographers". And finally, Parma's role in Italian musical history is significant, not only because it is the birthplace of the genious Verdi, of Ferdinando Paer, Ildebrando Pizzetti and Toscanini, but also because of its illustrious Conservatoire, the famous Regio Theatre, and above all because of the importance of music in its inhabitants' popular and cultural traditions.
Cattedrale - Assunzione della Vergine - Correggio
Cathedral - Assumption of the Virgin - Correggio
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